6? 7? Sose voltam bejelentve persze, meglepő, nincs még gyerekem úgyhogy alapvetően le is szarom, de mondjuk hogy nem szavazhatok az olimpia ellen, illetve endorszálhattam Bokros Lajost, az azért elég sok.
Once a vidéki always a vidéki. Ugyanitt I know that feel bro.
fordítva is van . én 7 éve nem élek bp-én,de majd most végre opponálhatok
11 éve élek az agglomerációban (kisvidék!), de jó darabig nem jelentkeztem ki a budapesti címről. Most büszke budaiként mentem aláírni, meg is szégyenültem a vidéki lakcímemmel, ahogy még soha.
Egymillió vidéki azért, hogy mi is aláírhassunk az olimpia ellen!
The way to approach it, I think, is not to ask, “What would it be like to be black?” but to seriously consider what it is like to be white. That’s something white people almost never think about. And what it is like to be white is not to say, “We have to level the playing field,” but to acknowledge that not only do white people own the playing field but they have so designated this plot of land as a playing field to begin with. White people are the playing field. The advantage of being white is so extreme, so overwhelming, so immense, that to use the word “advantage” at all is misleading since it implies a kind of parity that simply does not exist.
It is now common—and I use the word “common” in its every sense—to see interviews with up-and-coming young movie stars whose parents or even grandparents were themselves movie stars. And when the interviewer asks, “Did you find it an advantage to be the child of a major motion-picture star?” the answer is invariably “Well, it gets you in the door, but after that you’ve got to perform, you’re on your own.” This is ludicrous. Getting in the door is pretty much the entire game, especially in movie acting, which is, after all, hardly a profession notable for its rigor. That’s how advantageous it is to be white. It’s as though all white people were the children of movie stars. Everyone gets in the door and then all you have to do is perform at this relatively minimal level.
Additionally, children of movie stars, like white people, have at—or actually in—their fingertips an advantage that is genetic. Because they are literally the progeny of movie stars they look specifically like the movie stars who have preceded them, their parents; they don’t have to convince us that they can be movie stars. We take them instantly at face value. Full face value. They look like their parents, whom we already know to be movie stars. White people look like their parents, whom we already know to be in charge. This is what white people look like—other white people. The owners. The people in charge. That’s the advantage of being white. And that’s the game. So by the time the white person sees the black person standing next to him at what he thinks is the starting line, the black person should be exhausted from his long and arduous trek to the beginning.
